Thursday, July 27, 2017

The 2017 Golden Kite Award For Picture Book Illustration Goes To "The Music In George's Head," Illustrated by Stacy Innerst




I caught up with Golden Kite Winner Stacy Innerst at the #LA17SCBWI book signing...


Thanks, Stacy, and again, congratulations!

Learn more about Stacy Innerst here. His winning book, "The Music In George's Head," was authored by Suzanne Slade.

Curious to learn more about The Golden Kite Awards? Here's that link.

Tuesday, July 25, 2017

The Hero Is You - A Guest Post By Kendra Levin

Kendra Levin is an executive editor at Viking Children's Books and a life-coach working with writers. Her book, The Hero Is You, is "a grounded self-help guide to a healthier writing process." And it sold out from the #LA17SCBWI bookstore on the first day of the conference! So I asked Kendra to share with us a taste of what she wants writers to know...

Editor and Life-Coach for Writers, Kendra Levin


This past month, I had the pleasure of connecting with writers and illustrators at SCBWI’s annual national conference in Los Angeles. In two breakout sessions and an intensive, we talked about how to see the creative process as a journey through ideas drawn from my book, The Hero Is You.



The idea of the hero’s journey is an ancient one, but it’s full of tools writers and other artists can use, not just for craft but to help you develop a more intuitive, personalized, and creative way of working that fits you and your life. If you missed the conference, or missed out on my sessions, here are a few key nuggets we dug into:

1: Give yourself a map. 
Psychological studies have shown that people who create a detailed plan are more likely to accomplish their goals than those who don’t. Whatever stage of the process you’re at with a particular project, breaking the larger goal down into smaller, more actionable steps and connecting each one to a deadline can be enormously helpful in moving you closer to achieving your goal. Let’s say you’re hoping to complete a first draft of your manuscript by the end of 2018—how much writing will you have to do each month in order to make that goal? Each week? Each day? Whether you’re counting words, clocking your hours spent, or tracking your progress some other way, log yourself like you would with a fitness tracker—another proven technique for meeting goals. Don’t beat yourself up if you don’t do everything in the exact timeline you’ve planned—just keep going. Your map will lead you where you need to go!

2: Acknowledge your strengths and weaknesses. 
Every hero has inherent gifts and vulnerable areas, and so do you. Use your strengths as an asset but not as a crutch—don’t be afraid to take risks in your work and explore beyond what you already know you’re best at. Rather than bemoaning or avoiding your weak spots, pay close attention to them: they have even more to teach you than your strengths do. They’re opportunities for growth.

3: Have a clear mission. 
Why do you create? What’s important to you about sharing your work with the world? What message do you want to convey with your writing or art? How do you hope to change or impact people through what you are creating? Who are you trying to reach with your work?

Asking yourself these questions can help you identify your mission as an artist. And when you know what your mission is, it can become a touchstone you can return to any time you’re in doubt or questioning what you are doing. Whether you are aiming to help marginalized children feel less alone in their experiences, to inspire or empower young people to dream big, or simply to make kids laugh and forget their worries, your mission likely reflects your deepest core values as an artist and as a human being.

Every hero has a mission, from the most epic and noble to the most subtle and internal. And I can pretty much guarantee that, whatever your mission is, it makes you a true hero to the young people you are hoping to reach with your work. So keep at it and remember: you’re a hero.

To find out more about the hero’s journey, or to catch Kendra at her next speaking engagement, visit kendracoaching.com.

Tuesday, July 18, 2017

It's a New Podcast: A Conversation with Publisher Allyn Johnston


We're delighted to share with you this one-on-one conversation with Vice-President and Publisher of Beach Lane Books, Allyn Johnston.

Everyone can listen to the trailer here.

Members of SCBWI can listen to the full episode here (sign in first, then click on "Members log in and click here for full podcasts")

In this in-depth, behind-the-scenes chat with Theo Baker, Allyn shares about her journey to becoming a children's book editor and publisher, the questions she asks of her authors and illustrators, and she shares some great stories about how certain books -- and long-term relationships with her Beach Lane Books authors and illustrators --  happened!

Illustrate and Write On,
Lee

Thursday, July 13, 2017

The 2017 Golden Kite Award For Nonfiction Goes to "We Will Not Be Silent" by Russell Freedman - The Interview




I asked Russell to please share the spark of inspiration that became "We Will Not Be Silent: The White Rose Student Resistance Movement That Defied Adolf Hitler.."

Here's his response: 

Over the years I’ve had the opportunity to write about some of the major historical events of my time. Looking back, I’ve recaptured forgotten memories and, through research, gained a deeper understanding of the forces that have shaped my generation. Along the way, I wanted to add my voice to the massive body of literature about the holocaust without simply repeating what has already been said. I was searching for an approach that would convey a redeeming theme of hope and human decency amidst the ruins of history. My eureka moment–my spark of inspiration—resulted from a chance encounter with an amazing movie. A friend gave me a DVD of Sophie Scholl, a German film nominated in 1985 for an Academy Award as the year’s best foreign language film. A powerful story about youthful courage and idealism, the film introduced me to the White Rose student resistance movement in Nazi Germany—an episode of youthful courage and idealism. This was the story I had been searching for. I immediately began the research that would take me to Munich, Germany, birthplace of both the Nazi party and the anti-Nazi student resistance movement, a city dedicated today to the memory of the fearless young activists who defied Adolf Hitler.


Russell's editor Dinah Stevenson was kind enough to answer some questions as well...


Lee; What made you say “Yes!” to “We Will Not Be Silent”?

Dinah: I always say yes to Russell. Sometimes he proposes a couple of different book ideas and I choose between them. This time he didn’t offer alternative projects, and I immediately agreed that this should be his next project. I shared his vision that this book, with its young protagonists, would be fascinating and inspiring to young readers. Further, I responded to the subject on a personal level, since both Russell and I are Jews.

Lee: Did the book change throughout the process of working with Russell, and if so, how?

Dinah: Not noticeably. Russell’s manuscripts are invariably well thought out and complete, and this one was no exception. I asked him to clarify and provide context for some of the content. There were no substantive changes.

Lee: Do you have thoughts to share on Russell winning the Golden Kite for this book — the book you edited?

Dinah: I’m thrilled to see this book recognized by SCBWI, his fellow writers, and to know that you share my belief in this book. Of course I like it when discerning groups like you and the Sibert Award committee agree with me. But many editors are shy, nocturnal creatures and don’t welcome the spotlight. I’m one of them. I credit Russell’s brilliant writing and thorough professionalism with the success of his work, and I’m delighted that he dedicated this book to me—honoring our long-term author-editor relationship and our close friendship.

Thank you, Dinah!

And thanks and congratulations again to Russell!

Curious to learn more about the Golden Kite Awards? Here's that link.

Tuesday, July 11, 2017

Twitter Hightlights of #LA17SCBWI



What a conference! Here are some of the top moments that are still resonating on social media...

Old friends. New friends. So much love and inspiration! ❤️Thank you for an unforgettable weekend at

"Creating a picture book is the closest you can come to whispering in a child's ear." - LeUyen Pham

I danced the hokey-pokey with my hero . Life does not get any better then this, my friends!

"Readers respond when you're not trying to do what you think they want but when you do what feels most genuine to you.”

"Lean into adversity. Wrap your arms around it, shake it off, and pack it under." Vanessa Brantley Newton

LeUyen Pham has illustrated NINETY BOOKS! And is always trying to explore new styles and challenge herself. Lotsa A++++ tips!

"Writers block is the fear of sucking. Get started & maintain momentum; making the art makes you feel better." – at

You need to dream so big it scares the hell out of you -Vanessa Brantley Newton Yes!


"The author has to keep you on the road. The illustrator can show you the beauty of the road." -Javaka Steptoe on

"The darkness in fairy tales is a necessary darkness." - keynote


"I have always believed a writer never retires. ...As a writer, am I retired? Well, you never know…" - Judy Blume


"I've sold 300 books. All of them had their own paths to publication." -


"Young readers are deep thinkers and deep feelers." -


"Have faith in your art, even when others don't." -Sean Qualls


You can see all the conference blog posts here, and check out what's on social media with the hashtag #LA17SCBWI

And thanks to my fellow team bloggers for #LA17SCBWI, Sona Charaipotra, Susie Ghahremani, Jolie Stekly, and Jaime Temairik!

Illustrate and Write On,
Lee

Thursday, July 6, 2017

#LA17SCBWI Starts Tomorrow! Meet Your SCBWI Team Blog



Check out these interviews with Guest SCBWI Team Blog members Susie Ghahremani here and Sona Charaipotra here.

We'll be live blogging at http://scbwiconference.blogspot.com/ and you can follow along on social media with the hashtag #LA17SCBWI

Here's to wonderful conference!

Illustrate and Write On,
Lee

Tuesday, July 4, 2017

Jane Yolen on All The Wonders - Matthew Winner's gift for us


In this All The Wonders podcast, school librarian, writer, and podcast host Matthew Winner and multi-award-winning and multi-best-selling author Jane Yolen have a deep conversation about the power of story, and words, and the magic of writing something that is then read by someone else... and how those words, that story, takes on a whole new meaning.



It's uplifting, and inspiring, and it truly felt like a gift.

Thank you, Jane and Matthew.

You can listen here.

Illustrate and Write On,
Lee


Thursday, June 29, 2017

The Crystal Kite Interviews: Cindy Sommer's SAVING KATE'S FLOWERS wins in the New York Division




by Cindy Sommer

Lee: Please tell us about your Crystal-Kite winning book!

Cindy: I wrote Saving Kate's Flowers after my daughter asked me why flowers die in winter. I thought of a story to go along with her question. Using my knowledge about gardening, which I learned from my mother, I wove facts into the story, but kept it fun to read as well. My main character, Kate, a bunny, tries to bring all the flowers into the house. But her daddy is allergic. I also have environmental allergies, so I can relate to the father. 
I originally wanted Kate to be a human girl, like my daughter. But the editor and illustrator saw her as a bunny. Ever since I saw the first adorable drawings from the illustrator, I loved them. I've had short stories published in children's magazines before, but this was my first picture book. I've sent out hundreds of manuscripts, but this was the first time my story clicked with a publisher. For this book to win an award is so exciting! I couldn't believe my book won. To come out on top of all those other well-deserving books and talented authors was amazing! It means the illustrator and I must have done something right. Without her pictures, my story could not have come to life the wonderful way that it did. To be recognized by your peers means so much. I am proud and humbled to have won this award. It means that I'm an award-winning author! It's a great pat on the back that I've been waiting years to receive. I guess all my hard work has paid off. Thank you so much to all those who voted. I truly appreciate it. 

Author Cindy Sommer

Lee: How long have you been involved with SCBWI, and can you share what you feel you’ve gained by being a member?

Cindy: I've been a member of SCBWI for 17 years. It has made a positive impact on my writing life. SCBWI's informative newsletters, conferences and events keep all writers in touch with other writers and make them aware of what SCBWI has to offer. It also brings authors and illustrators together for events. Writing is a lonely job, and meeting others who think like you do helps to stir our creative spirits. I've learned about writing courses, new publishers, and how to improve my writing through SCBWI's newsletters. They offer a plethora of information all geared to helping authors and illustrators be successful. Their website offers even more information. You never know what useful tidbits you'll find. 

Lee: Do you have any advice to share with other children’s book writers and illustrators?

Cindy: My advice would be to keep reading books in the genre you want to write in. Keep writing and working to improve it with classes, and joining a writer's group. I know it is hard to do, but you need to be able to handle criticism. You need to read your stories to other authors. Most stories need revising. How can you fix errors if your story isn't heard by anyone? You have to put it out there. Sometimes you are too close to your story, you can be blinded by it's good qualities. You may not be able to see the awful ones that are ruining the story. 
You can't expect to be successful right away. It takes work. Look for a topic a publisher hasn't done yet, and try to fill that hole in their list. Don't give up! No matter how many rejections you receive, if you are passionate about a story, keep working on it until it's perfect. If it keeps coming back, work on it some more, and send it out again. Eventually someone will see what you see, and who knows? Maybe you'll be lucky enough to have an award-winning book! A lot of it has to do with luck, and submitting to the right publisher at the right time. If you don't give up, and you keep trying, you too can make it happen. 

Thanks, Cindy, and congratulations again on Saving Kate's Flowers winning the Crystal Kite Award!

You can find out more about Cindy at her website, www.cindysommer.com

Illustrate and Write On,
Lee

Tuesday, June 27, 2017

#LA17SCBWI Portfolio Showcase Advice from Jennifer Laughran of Andrea Brown Literary by Guest Team Blogger Susie Ghahremani



One of the most thrilling parts of attending #LA17SCBWI as an illustrator is an opportunity to show your work alongside your peers at the Portfolio Showcase. Find the guidelines for submission here.

In addition to the satisfaction of putting your hard work together and sharing it with the world, the showcase also presents opportunities to win awards and scholarships — for all levels of experience, from student to seasoned professional.

As a former mentorship winner, I can’t speak highly enough about this opportunity. A portfolio mentorship entails the opportunity to get detailed, focused feedback from the conference Illustration Faculty during the conference. Consider more than just the technical specifications when you enter your portfolio in this show; each judge and visitor comes to the portfolio show with her own sense of what she is looking for.

To find out a bit more, I interviewed Jennifer Laughran of Andrea Brown Literary about what an agent attending the conference might be looking for, and for her feedback and advice for illustrators entering this show:

Jennifer Laughran of Andrea Brown Literary

Susie: Please tell us a little bit about yourself.

Jennifer: I'm a senior agent at Andrea Brown Literary Agency. I rep authors and author-illustrators for books from PB through YA. 

Susie: How much of your roster is made up of illustrators (as opposed to authors, and author-illustrators)? If you’re primarily interested in author-illustrators, do you want to see a book dummy?

Jennifer: My own list is primarily authors - I do rep about 15 author-illustrators. I'd be open to somebody who was "just" an illustrator, but might have goals to be an author as well. As an agency we rep about 100 illustrators - you can see our roster here

If you are querying an author-illustrator piece, I'd want to see the text, a sketch dummy, and a couple of finishes. 

Susie: When browsing the portfolio show, what are some of the key things you look for (as an agent, or as a judge)?

Jennifer: I like a strong sense of MOVEMENT in illustration - dynamic pictures, rather than static. I like a picture that really tells a story, rather than just being a beautiful image or decoration. The thing is - lots of people are good at design and good at drawing, and might make swell editorial artists, or be great at surface design, textiles, cards, etc... but that DOESN'T automatically mean that they will be awesome at children's book illustration. 

Photo of the SCBWI LA Portfolio Showcase by Debbie Ridpath Ohi / @InkyElbows from the KidLitArtists blog


Susie: What’s something you recommend for the portfolio that illustrators might not think of doing?

Jennifer: It can be very helpful to see a couple of page turns. If you aren't an author, consider doing a couple of spreads from a well-known fairy or folk tale in your own way. 

Don't forget - illustration isn't JUST for picture books! It can be fun to see how an artist might approach book jackets and/or b+w interior spot art. If these are things that appeal to you, you might find your own way to interpret a "classic" book jacket or iconic literary scene. 

Susie: What are common portfolio or book dummy missteps you recommend illustrators avoid?

Jennifer: I think sometimes illustrators put in everything and the kitchen sink just so the portfolio is "big" but some pieces are obviously of lesser quality, or in a more amateur style, etc. I'd rather have fewer pieces of higher quality, than a portfolio bursting with filler. 

Susie: What subjects would you like to see appear more in portfolio pieces?

Jennifer: For illustrators doing humans, I'd like to see diversity. 

Susie: As an agent, what do you look for in a takeaway promo piece?

Jennifer: I look for pretty art and contact information. And if you are already agented PLEASE put your agent info on there, too. 

Susie: Any other general SCBWI conference advice?

Jennifer: Have fun. Stay sober. Drink lots of water. 

Susie: Thank you, Jennifer! Good luck to all the illustrators working hard to be part of this amazing show!

Grand Prize winner at #LA16SCBWI, Oge Mora, a student of the Rhode Island School of Design

For more portfolio advice, visit the SCBWI conference mentorship alumni blog, KidLitArtists here. And this post on the SCBWI site, Portfolio Tips From SCBWI Mentorship Winners.

Registration is still open - get all the details on the 2017 SCBWI Summer Conference, July 7-10, here.

Thursday, June 22, 2017

The Neal Porter Podcast Is Live!



SCBWI Members, make sure to check out our latest podcast, A Conversation with Neal Porter.

Covering how a background in theater paid off in picture books, the many different roles of an editor, the business of children's books… and where it's going! Join Neal Porter, Editorial Director of Neal Porter Books at MacMillan's Roaring Brook Press, in a one-on-one conversation with Theo Baker.

Everyone can listen to the trailer here. Members can log in at scbwi.org now and then navigate to the episode [Resource Library --> Podcasts] or click here to listen to the full episode!

Illustrate and Write On,
Lee

Tuesday, June 20, 2017

The Art of Diversity: A CBC Panel, Reported in Publishers Weekly

"The world is your palette, but do it in a respectful, educated way." -Award-Winning Author/Illustrator Pat Cummings



As reported by Matia Burnett at Publishers Weekly, on June 13, 2017 at Random House's New York offices, the Art of Diversity panel took place. Moderated by Martha Rago, executive creative director at Random House, the panelists were Phoebe Yeh, v-p and publisher at Crown Books for Young Readers; author/illustrator Pat Cummings; and author/illustrator Selina Alko.

It's well-worth reading.

Illustrate and Write On!
Lee